But I can say the clarient and saxophone players I work worth almost universally seem to do better with lots of sharps than lots of flats, because they so rarely see lots of flats. I played clarinet, but long enough ago that I don't have much first hand experience to draw from. That's about as many flats as they often see, but they are are very accusotmed to see lots of sharps - more than players of non-transposing instruments. Db major might be very common as a concert pitch key, but for them, that's Eb major. Clarinet players are very used to seeing sharps, and less accustomed to seeing many flats, because the transposition normally adds sharps / substracts flats. FWIW, do you play clarinet, or have you checked with clarinet players? I am not so sure about your assumption that 7 sharps is harder than 5 flats for people who play transposing instruments.
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